First Cut: Treasure Isle

http://youtu.be/18AoqJn4M1A

So this one might actually win for best First Cut. We're of course biased in that we love both The Techniques and Pat Kelly. And this is one of his finest performances.

King Stitt Performs Fire Corner

http://youtu.be/dqqEAH04qjg

File this one under "exciting finds". King Stitt doing his thing. From the narration all we gathered was "King of the DJs" and "King Stitt" so at least we know they got it right. The man left an indelible impression on the Jamaican music industry and was one of the finest at his craft, so it's a special treat to get to see him actually perform at the peak of his powers. Enjoy.

Another "I Am The Gorgon" Teaser

https://www.youtube.com/watch?v=6kmNYtFfHLQ&feature=youtube_gdata

What a nice little Sunday treat we have here, a new clip running just under 3 minutes from the Bunny Lee documentary. This one outlines a bit of the rivalry between Striker and Clement "Coxsone" Dodd. Early reviews thus far have been very positive, meaning we're hoping the film gets a more widespread release in the near future or a DVD release sooner rather than later. You can never get enough Bunny Lee.

First Cut: Caltone

http://youtu.be/Af2ZRfVmu0c

We all now know Ken Lack's Caltone label as one that is responsible for numerous rocksteady classics. It wasn't always so, as those who've been collecting for any number of years can attest.

First Cut: Coxsone

http://youtu.be/iegW2jGijVo

It's near impossible to measure how dramatic an impact someone like Clement "Coxsone" Dodd has had on the Jamaican music industry. Countless words have been both spoken and written about that impact but words can only do so much.

First Cut: Giant

http://youtu.be/PxsZpHZ3Yuk

Giant only released 41 singles, and two more non reggae sides, over the course of 1967 and 1968 but it's held in high esteem by record collectors around the world. Certainly a lot of that acclaim is down to the legendary "The Cooler" single, by the Wrigglers, seeing release on the label in '68 and the numerous Dandy produced and likely Dandy featuring sides that also featured. But that's only part of the story.

First Cut: Prince Buster

http://youtu.be/4Ctu-X0Ivgw

You know Prince Buster. If you don't, and you're at this website, you missed some steps along the way. He's undoubtedly one of the foundation artists for the Jamaican music industry, releasing his first single in 1961 although he had been involved in the budding industries sound system wars for years before. A former boxer, Buster and his friends provided a special kind of service for Coxsone Dodd during his dances.

First Cut: Blue Cat

[youtube=http://youtu.be/jci-E-W9Sz4]

"Are you ready to rocksteady?" is the line that kick off this double sided slab of gold. The Pioneers, whether working with Leslie Kong or Joe Gibbs, were almost surefire hit makers from 1968 to 1970. On this Blue Cat outing it was Gibbs behind the controls once again and that means it is real hard to decide which is the better tune. "Shake It Up" is a lovely piece of late rocksteady magic while "Goodies Are The Greatest" is yet another one of those killer tracks taking on the topic of the rude boy phenomenon. It's a fitting start to the label, with many of the biggest tunes in its early days being Joe Gibbs productions. Oddly enough, for a Trojan imprint, it would also go on to feature some absolute stormers from Coxsone Dodd. Other producers popping up include Bunny Lee, Charles Ross and Enos McLeod amongst others. Biggest tune on the label? May just be "Dip It Up" by The Sparkers, a Rannie Williams production. But that's getting ahead of ourselves.

On The Bus

You're sat on the bus. Buzzing, absolutely buzzing. The feeling tends to be few and far between at times. Too many disappointed trips to record shops and clothes shops around town. It isn't easy to be pleased when you're so discerning, as you now know all too well. Everyone else can buy their mass produced music, clothes and beer if it makes them happy. That isn't you, it's never been.

For The Suits Label Guide: Unity, Part 2

Last week when we begun this musical journey we were, in all honesty, overwhelmed by the amount of quality releases on the Unity label. What was initially going to be one article quickly turned into something that needed to be broken down into two parts. The quality of the label in 1969 alone was staggering, a prolific output which most labels would be blessed to have over the entire course of the labels lifetime. Things didn't slow down in 1970.

For The Suits Label Guide: Unity, Part 1

Bunny Lee is a bad man. There isn't too much more too it. After getting into the recording business in 1967 "Striker" went on to record a string of hits throughout the ever changing world of Jamaican music for the next 3 decades, but important for us is his output during the rocksteady and early reggae era many of which saw release in the UK on the Unity label. Lee wasn't the only producer for the label but he produced some of its biggest hits. But we can't forget the work of cats like Harry Robinson and the legendary Derrick Morgan. So let's delve a little deeper into the label and see what gems we can find for ourselves.

First Cut: Duke

[youtube=http://youtu.be/QCtySZyxerM]

It's a toss up to whether Pat Kelly's voice has ever sounded quite so sublime as it does in The Techniques cover of "I Wish It Would Rain", the first cut for the Duke label. Now, technically, the first cut for this label was The Bubbles "The Wasp" which was released in 1960. But only two other singles would be released between 1960 and 1961 on the label before it was left to lay dormant. Then in 1968, with the popularity of the Trojan label starting to pick up steam in the UK, the label was revived as a showcase for the productions of the legendary Duke Reid. Hence Duke, get it? For the rest of 1968 the label would release some absolutely beautiful rocksteady cuts before going on in 1969 to release some skinhead reggae classics. We've stated it before in our Techniques and Pat Kelly profiles, but there really hasn't been anyone that better filled a spot like the one Slim Smith left open in the Techniques in quite the manner Pat Kelly did. The man has one of the most beautiful voices in the history of Jamaican music. Combine that with the harmonies provided by Winston Riley, Franklyn White and Frederick Waite and throw in the kind of top shelf muscianship Reid featured on all his products and we're back on a roll for the First Cut Friday series.

First Cut: Gas

[youtube=http://youtu.be/LJQQyQ7G6Bw]

Well they can't all have started with classics. While this instrumental cut to "Rhythm Hips" is far from terrible, it also doesn't quite stand out in the manner some of the other first cuts really stand out. Even the B side "Action Line" doesn't save this one. Both sides are credited to Eric Barnet but the B side is actually the Versalites. Lucky for us collectors, the label didn't take too long to make up for this lackluster release as pretty quickly solid cuts from the likes of The Melodians and Pat Kelly weren't long in coming. For sheer class nothing on the label beats Pat Kelly's "How Long Will It Take/If It Don't Work out" monster but The Slickers "Ba Ba" backed with Glen Adams "Power Cut" is a close second. The featured single, as well as the Pat Kelly one mentioned, can both be found on the cheap and in great condition for those interested.

Cool Down Your Temper

[youtube=http://youtu.be/PxsZpHZ3Yuk]

This track doesn't get enough love. Picked it up a few weeks ago, can't wait to spin it on New Years Eve.

Bobby Aitken

[youtube=http://youtu.be/6zF085DHht8]

Bobby Aitken's rocksteady productions between 1966-1967 are not even close to being appreciated enough, and a lot of that has to do with him not receiving a lot of exposure producing tunes. He's certainly far better known as the head of the Caribbeats but, as with many involved in the Jamaican music business, it turns out he could do a little bit of everything. This is a tune by one of my favorite Jamaican vocalists, Ken Parker and it's a lovely slab of rocksteady.

Let Me Go Girl

[youtube=http://youtu.be/qPIExEVYkAY]

This tune is just as good as you might expect from a group that consisted of the likes of Slim Smith, Ken Boothe, Derrick Morgan, BB Seaton, Roy Shirley and Lloyd Charmers alternately throughout it's existence. Doesn't really matter what the line up consisted of at the time this was recorded, it was going to be good. Being produced by Bunny Lee sure doesn't hurt either.

Lonely Girl

[youtube=http://youtu.be/-xprSxyCpVI]

Continuing on with the theme of things we;re into. Bunny Lee and Glen Adams are definitely two of them. Adams is more well known for his organ grinding sessions that get skinheads around the world moving, but he also put out some quality rocksteady sides. This tune in particular was produced by the incredibly talented Bunny Lee. The man could seemingly do no wrong during the rocksteady era and produced a lot of top notch skinhead reggae on the Unity label. If you don't have the cash to track down some of the singles I would highly recommend picking up the 2LP "Bunny Lee Rocksteady Years" album put out by Moss Selekta. Crucial cuts throughout.

Sounds and Pressure

Why yes that is a wall full of speakers. Meet the Sounds and Pressure Sound System probably the best vintage sound system anywhere in the world. They have the annual 1970 Bank Holiday Revival at the IOW rally this weekend. If you can make it out and don’t there is likely something wrong with you. We were going to do a write up on them but figured we’d let them describe themselves:

Sounds and Pressure Sound System specializes in serving up the choicest cuts of hard 60s reggae, rocksteady, ska and soul to tingle the tastebuds of any 60s freak. Our business is massive, heavyweight sound systems, in the original Jamaican style and designed to level buildings. We work alongside and support regular clubs all around the UK, such as Scorcher, Blue Cat and Liquidator and promote regular shows by some of the great names in Jamaican music, such as Derrick Morgan, Pat Kelly, Dave Barker and George Dekkar.

Derrick Morgan, Jack of All Trades

[youtube http://www.youtube.com/watch?v=E3MIY1Jg3ic?wmode=transparent&autohide=1&egm=0&hd=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0&w=400&h=300]

Did you happen to know Derrick Morgan wasn’t just an incredibly talented vocalist? The man responsible for a dozen or so absolutely legendary ska, rocksteady and reggae tracks also happened to have a bit of a knack for producing as well. It certainly had to help that he had Lyn Tait and the Jets backing all his vocals as well as putting out some classic instrumentals on the way. Here we have The Black Brothers with “Give Me Loving” (a tune Derrick himself later recorded for his Moon Hop LP on Pama), a great rocksteady cut. Listen to the vocals first and then go back and pay attention to the instrumental work on it. Class all around. Perfect for a Sunday.

Admiral Ken

One of our favorite photos. Admiral Ken unloading his sound. Can’t remember his name now but word has it the lad of the left, in the back of the truck, was a pretty talented boxer. Not hard to imagine. If you happen to know who he is, let us know. Not the worst dressed bunch either are they? Pretty much everything we’re into in one picture.