[youtube=http://youtu.be/jci-E-W9Sz4]
"Are you ready to rocksteady?" is the line that kick off this double sided slab of gold. The Pioneers, whether working with Leslie Kong or Joe Gibbs, were almost surefire hit makers from 1968 to 1970. On this Blue Cat outing it was Gibbs behind the controls once again and that means it is real hard to decide which is the better tune. "Shake It Up" is a lovely piece of late rocksteady magic while "Goodies Are The Greatest" is yet another one of those killer tracks taking on the topic of the rude boy phenomenon. It's a fitting start to the label, with many of the biggest tunes in its early days being Joe Gibbs productions. Oddly enough, for a Trojan imprint, it would also go on to feature some absolute stormers from Coxsone Dodd. Other producers popping up include Bunny Lee, Charles Ross and Enos McLeod amongst others. Biggest tune on the label? May just be "Dip It Up" by The Sparkers, a Rannie Williams production. But that's getting ahead of ourselves.
Showing posts with label Joe Gibbs. Show all posts
Showing posts with label Joe Gibbs. Show all posts
Sunday, 23 December 2012
Wednesday, 4 July 2012
FCF: Amalgamated
[youtube http://www.youtube.com/watch?v=CLuGGj_mwmo?wmode=transparent&autohide=1&egm=0&hd=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0&w=400&h=299]
This cut right here was the first ever release on the UK Amalgamated label, home to a number of crucial productions by Joe Gibbs and engineered by the likes of Niney and Lee “Scratch” Perry. Errol Dunkley, the vocalist on this impassioned plea for honesty, was only 16 when the track was released. It’d be a big deal except he started his career at 14 and by the time he got to this track he had already worked with some of the biggest producers in Jamaica at the time such as Sonia Pottinger (whom he recorded his first track for) and Prince Buster. Pretty decent way to kick off a label we’d say.
This cut right here was the first ever release on the UK Amalgamated label, home to a number of crucial productions by Joe Gibbs and engineered by the likes of Niney and Lee “Scratch” Perry. Errol Dunkley, the vocalist on this impassioned plea for honesty, was only 16 when the track was released. It’d be a big deal except he started his career at 14 and by the time he got to this track he had already worked with some of the biggest producers in Jamaica at the time such as Sonia Pottinger (whom he recorded his first track for) and Prince Buster. Pretty decent way to kick off a label we’d say.
Wednesday, 8 February 2012
Joe Gibbs
It’s somewhat odd that in a music industry noted for it’s long standing rivalries and feuds between artists, producers and label owners that the community, however short lived, developed between the same parties has created one of the most vibrant and celebrated music industries. Joe Gibbs, and his entire fanbase, can thank those links for some of the greatest rocksteady and early reggae tunes ever created. Gibbs received his start in the music industry with a loan from friend, and For The Suits favorite, Bunny Lee. Mr. Lee helped out with some of the cash to get Amalgamated up and running and then the recording expertise of a young Lee “Scratch” Perry led to a musical education for Gibbs. It also led to Gibbs’ first hit “Hold Them” by Roy Shirley. Some even credit the Shirley track as one of the first rocksteady tunes ever. This is where the feud part starts: after a falling out between Perry and Gibbs, Gibbs had to find a new recording engineer. Lucky for all Gibbs found Winston “Niney” Holness. Coupled with only the best backing bands, either the Hippy Boys or Lyn Taitt and the Jets, and talented vocalists and trios like Ken Parker and the Pioneers, the Amalgamated label went on to put out some of their top tunes. Not bad for a cat who stumbled into the music business and built his own recording studio thanks to an Electronics Engineer degree.
Tuesday, 7 February 2012
Lyn Tait on Amalgamated
[youtube http://www.youtube.com/watch?v=nvGf8GW9rnc?wmode=transparent&autohide=1&egm=0&hd=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0&w=400&h=300]
One of Joe Gibbs finer productions, and the incredible Lyn Tait and the Jets provide the instrumental on it. We’ve got a Joe Gibbs profile coming up as soon as some technical difficulties are resolved.
One of Joe Gibbs finer productions, and the incredible Lyn Tait and the Jets provide the instrumental on it. We’ve got a Joe Gibbs profile coming up as soon as some technical difficulties are resolved.
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