So Long, Mr. Charmers.

So here you are again, another Friday crammed into a sweaty club while the reggae beat pumps through speakers as big as mum and dads wardrobe. Bass so loud it is sending waves of sound threw your suit jacket. The smell of Brut and cigarette smoke and stale Red Stripe creating an intoxicating aroma. The three wouldn't seem as though they would be the sort of mixture that you'd happily wake up smelling of tomorrow morning, but that's exactly what you know will happen.

First Cut: Camel

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We're on a bit of a roll as of late, now aren't we? One of our personal favorite tracks and guaranteed to get a play out, the Camel label started out in style with a Winston Riley produced track of the highest order. "Who You Gonna Run To", although credited to The Techniques, is actually performed by The Shades. Now we're not 100% sure of all the members of The Shades but Bruce Ruffin was certainly a member of both The Techniques and The Shades. It's likely the track ended up credited to The Techniques because of Riley's production credits. Nonetheless, this track is early reggae gold and set the standards high for a label that would go on to feature productions from Lee Perry, Alvin Ranglin, Lloyd Charmers and Glen Adams to name but a few. "History" by Harry and Radcliffe might be the best track put out on the label. It might be one of the best skinhead reggae tracks ever as well. And the label is beautiful as well. All around winner.

First Cut: Success

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Straight up, Rupie Edwards did not get enough respect. Odd we know, in that the Pama subsidiary he ran was Success. None the less the man was immensely talented as soon as he sat in the producers seat and the first tune released on the Success imprint shows that exactly. "Look Who Buss A Style" by the Mediators has all the hallmarks of a skinhead reggae classic: killer instrumental backing and a sickly sweet vocal. A wonder then, probably down to the touch and go Pama distribution system of the time, that the Success label isn't more regarded in the current skinhead reggae collector and DJ scene. Might have a lot to do with it not being initially popular amongst the original skinheads. The fact tunes weren't released on the label til near the end of 1969, with media exploitation of the cult at its peak, might also have something to do with it. Either way this is one of the finest stars of any label from that time period, both sides absolute monsters in their own rights. It's just too bad Mr. Edwards doesn't receive the acclaim he righteously deserves.

All You Need to Know About Bunny Lee

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Ever wanted to spend close to an hour learning all about Bunny “Striker” Lee? You read this blog so of course you do. Think this thing came out in the 80’s and Bunny is a smooth cat throughout. Listen to the legend tell his story in his own words.

"Spread Your Bed" by The Versatiles

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It’s Friday, let’s start it off right. This tune is essential.

Pat Kelly

How has it taken us this long to get around to speaking on the iconic Pat Kelly? That’s a question you’ve probably asked yourself and one we’ve certainly asked ourselves. The man is one of the greatest ever vocalists in Jamaican music. He had to be really. His first gig was stepping into the shoes of Slim Smith when Slim left The Techniques in 1967. There isn’t many who’ve had to fill a bigger role in music history. Sure there’s Dennis Edwards trying to replace David Ruffin in The Temptations. But Edwards had already been recording at Motown with The Contours for years. But that’s a story for another day. Not only did Kelly fill the shoes of Slim, he threw those fuckers out and decided he saw a nicer pair, ones which fit him perfectly. As good as The Techniques were during their Slim Smith led days, they reached their recording pinnacle while fronted by Pat Kelly. Guided by Duke Reid, and recording out of his Treasure Isle studio, The Techniques released such classics as “Run Come Celebrate”, “Queen Majesty” and “You Don’t Care” over the course of the next year. Most groups would be lucky to have that kind of output in their entire career. Kelly realized the affect his vocals were having on the success of the group so in ‘68 he decided to branch out and he needed a new producer, what with the infamous temper of Duke Reid to contend with after leaving The Techniques. Bunny Lee was that new producer. Now if you’ve read this website for a bit, you may know we’re sort of fans of Mr. Lee. If you didn’t happen to know that, you have some reading to do. Lee and Kelly had a special connection that led to some of the best tunes ever put out in the rocksteady and reggae eras. Much like Leslie Kong and Desmond Dekker, the two simply clicked with one another and produced some magic. The “Pat Kelly Sings” LP put out by Pama is in our top 3 greatest reggae LPs of all time. You’d do well to find many albums of vocal reggae that are any better. Let’s just put it in perspective: “How Long Will It Take” (if you haven’t heard it, what’s wrong with you?) was the biggest selling Jamaican single of 1969. Now think how many classics came out that year. Makes sense now?

"Hotter Than Scorcher" by The Hammers

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Killer instrumental from The Hammers. Popular choice for us for reasons you might guess: DJ voiceover, scorching instrumental, on the Gas label AND they’re called the Hammers for fuck sakes. Love it.

The Claredonians

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Although certainly better known for their output during the rocksteady and ska era’s, The Clarendonians did put out a few early reggae tracks. And this one was certainly on par with their best tunes during the two previous era’s. By the time this tune came out, in 1969, they had a bit of practice at the old performing thing seeing as they’d been a group since 1963, formed in (you guessed it) Clarendon, Jamaica. Originally a duo featuring Peter Austin and Fitzroy “Ernest” Wilson by 1969 the duo had been fleshed out into a trio at the suggestion of Coxsone Dodd. Freddie McGregor, a name you’ve likely heard if you follow reggae at all, was the third man having first performed with the group at the age of seven. Yes, seven. He had to stand on a milk crate to record.

Bunny Lee and Count Machuki

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Bunny Lee production, Count Machuki DJing and it doesn’t get much better. Boss tune.

"How Long Will It Take" by Pat Kelly

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One of our personal favorite reggae tunes by our favorite Jamaican vocalist of all time, the soulful Pat Kelly. You know a guy who was chosen to replace Slim Smith in the Techniques was gonna have to have some talent and Pat sure didn’t disappoint. Big surprise so many of his classic tunes came from working with Bunny Lee, right?