FCF: Amalgamated

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This cut right here was the first ever release on the UK Amalgamated label, home to a number of crucial productions by Joe Gibbs and engineered by the likes of Niney and Lee “Scratch” Perry. Errol Dunkley, the vocalist on this impassioned plea for honesty, was only 16 when the track was released. It’d be a big deal except he started his career at 14 and by the time he got to this track he had already worked with some of the biggest producers in Jamaica at the time such as Sonia Pottinger (whom he recorded his first track for) and Prince Buster. Pretty decent way to kick off a label we’d say.

Joe Gibbs

It’s somewhat odd that in a music industry noted for it’s long standing rivalries and feuds between artists, producers and label owners that the community, however short lived, developed between the same parties has created one of the most vibrant and celebrated music industries. Joe Gibbs, and his entire fanbase, can thank those links for some of the greatest rocksteady and early reggae tunes ever created. Gibbs received his start in the music industry with a loan from friend, and For The Suits favorite, Bunny Lee. Mr. Lee helped out with some of the cash to get Amalgamated up and running and then the recording expertise of a young Lee “Scratch” Perry led to a musical education for Gibbs. It also led to Gibbs’ first hit “Hold Them” by Roy Shirley. Some even credit the Shirley track as one of the first rocksteady tunes ever. This is where the feud part starts: after a falling out between Perry and Gibbs, Gibbs had to find a new recording engineer. Lucky for all Gibbs found Winston “Niney” Holness. Coupled with only the best backing bands, either the Hippy Boys or Lyn Taitt and the Jets, and talented vocalists and trios like Ken Parker and the Pioneers, the Amalgamated label went on to put out some of their top tunes. Not bad for a cat who stumbled into the music business and built his own recording studio thanks to an Electronics Engineer degree.

Lyn Tait on Amalgamated

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One of Joe Gibbs finer productions, and the incredible Lyn Tait and the Jets provide the instrumental on it. We’ve got a Joe Gibbs profile coming up as soon as some technical difficulties are resolved.